We moved! And now that we’re settled and my camera’s unpacked, I’m ready to get back to documenting things I’ve made.
Before moving day, the walls of boxes surrounding us did not put me at ease, so I channeled my anxieties into finishing my Cline sweater. The second I finished it, I knew it would become a staple. What a great pattern. I read some comments on Rav that said this is so “wearable.” I didn’t exactly get what they meant until I put it on. This does not fit or feel like a handmade sweater. It feels like a comfy sweatshirt. I love it.
I knitted it exactly as written, with no modifications. Seaming the sleeves and sides was rather tedious, but the final product is worth the fuss. Nightshades is a perfect match for this pattern.
I don’t think I’ve ever done this before, but the second I finished this sweater, I knew I had to make another. I frogged my Niska because I never ever wear it, and am going to use this beautiful red yarn to make a second Cline. Details soon!
After years of watching me knit sweaters for myself, my patient husband quietly asked me to make him a sweater. He doesn’t wear sweaters very often, but it was time, and the final product is lovely.
There aren’t too many man cardigan patterns on Ravelry, but I spent hours looking, trying to find what I had in mind. I finally settled on Wardie from Ysolda. This pattern has two important attributes: its pieced so it will keep its shape and stand up to wear, and it has kangaroo pockets that echo the key style feature of Jacob’s beloved zip-up hoodies.
I’ve eyed Purl Soho’s Linen Quill for years, and this sweater was the perfect match for it. Its very soft, a Jacob requirement for this sweater. I used some stash buttons, I think they are the horn buttons from Fringe Supply Co (RIP). I love the fully fashioned shoulder decreases, and the edging for the pocket and neckband. This was not fast to knit, and it was nearly impossible to gauge the fit before knitting the sleeves, but I’m very happy with the finished product.
This is originally a womens’ pattern, so I made quite a few adjustments:
I removed the waist shaping, and added several inches to the upper back and upper fronts to accommodate Jacob’s broad shoulders.
I swapped the button placement from wearer’s left to wearer’s right
I started the v-neck decreases when I started the armhole bind off
I finished this shawl shortly after the Pando lockdown started, but it was both too scary and too warm for outside pics, so it went away in a sweater bag for the summer. We had a fabulous chilly Saturday today, so I decided it was time to get some photos. This is Rhinebeck weekend, and I am still so sad that its virtual. I am getting together with my knitting group for a socially-distant outdoor knitting session in Prospect Park instead (and I am making apple cider donuts!). As a small consolation, I attended a Zoom lecture by the lovely ladies at Solitude Wool. They covered the basics on how to categorize sheep breeds into 5 distinct groups. Armed with the basics, I’m so excited to explore the world of breed-specific yarn. Before this lecture, I knew there was more out there than Merino (a fine wool), but now I feel like I have a good base understanding to explore Down, Medium, Longwool and Primitive!
Speaking of fine wool, I knitted this Rose Plank shawl with some incredible Cormo Cross from Foxhill Farm (they do not have a website, this is their Rav page). I missed my chance to get this yarn at my first Rhinebeck in 2018, so the first thing I did in 2019 was go straight to their booth. This yarn is SO sumptuous, so I wanted to pick a pattern that would do it justice. After looking for a bit, I settled on Rose Plank by Monika Sirna. I went back and forth on whether or not to do the 2×2 ribbing edging, or the garter edging. I finally landed on the garter and I love the result.
I finished my would-be Rhinebeck sweater (super sad face that this year’s festival is cancelled, but I get it). It’s Kate Davies‘ Weel Riggit. Kate Davies released it in 2019 via her subscription club, so I had to wait a year before I could buy it. This sweater is very, very warm. It was “sorta-cool” today so I decided it would be bearable to throw it on for a few minutes for some pics.
I knew I wanted to knit this sweater with Green Mountain Spinnery yarn. I knit a hat with their yarn last year and loved it. Fast-forward to 2020 Vogue Knitting Live, and I went straight to their booth to see what would work for this sweater. I settled on Lichen, Spruce and Teal Weekend Wool for the colorwork against a backdrop of gray undyed Vermont Organic. The Weekend Wool is much softer than the Organic, so it was quite fortuitous that the pattern uses the colors at the most itch-prone spots of the sweater.
I followed Kate Davies’ pattern to the T, except for the collar bind off. I used the same crocheted bind-off technique that Emily Greene specifies for Tectonic. I love how this finish compliments the raglan CDDs.
Working with 4 colors at once was a big pain. Every few rows I had to untangle all the skeins so I didn’t drive myself nuts with the twisted yarns. I do love the look of the sweater, but WOW was it a lot of work. I understand now why most colorwork is limited to yokes.
When The Virus hit NYC hard last week, I needed an easy, mindless knitting project to help calm my nerves. Zooming around on Ravelry, I spotted a friend’s beautiful blue hat. Ysolda to the rescue! Musselburgh is a very of-the-moment silhouette, with miles of stockinette at a tiny gauge. Hit it!
I went “shopping” in my stash and found some odds and ends, and started knitting a striped version, but I didn’t like it. A single-color version was much more in line with what I envisioned. The only suitable yarn in my stash was a leftover skein of Manos del Uruguay Fino from my wedding shawl. I wasn’t sure about the color, but got to work! I ended up knitting 17.5″ before decreasing. The last few inches felt like forever, as they do. But a week later, I have a new hat! Not that I needed one, but its really comfy and I think I’ll wear it a lot.
MORE TO COME! I’m now on a mission to finish knitting something that’s already in progress.
Ages ago in “internet time,” back when I still used Instagram, #WIDN was a popular hashtag for sewers and knitters. WIDN, or “what I’m doing now” is something I’m going to try out here because I miss sharing my in-progress projects. So…. here’s WIDN.
This beauty is coming along, but slowly because of it’s intricate stitch pattern. I love it and the very special Cormo yarn I’m using, but I’m knitting slowwwwly. I think I am on the cusp of memorizing the repeat…. we’ll see.
I’ve had this sweater in my queue since it came out last year. Once it became available as a standalone pattern, it jumped to the top of my queue. I decided to get some Green Mountain Spinnery yarn at Vogue Knitting Live to make my own. I’m trying out the “sleeve as swatch” technique, but I’m not sure how much I like the color combo I chose. I’m going to block the sleeve after I finish and see if I like it.
Jacob needs a new spring/fall jacket. Since he has very long arms, no RTW jacket ever fits him perfectly, so I’ve decide to make him one. I scoured the internet to find a suitable pattern, but nothing seemed right. I finally came across a blog dedicated to sewing all the patterns from a Japanese book of mens’ coats, and decided to bite the bullet and order the book. Spoiler alert: the book is entirely in Japanese. I think I’m up for the challenge, but we’ll see what happens when I tear into the muslin. Jacob has picked out No. 13. I am planning to start tracing and making a muslin this weekend. I am looking forward to fabric shopping for it!
This task was a unique challenge for me. I had only written instructions and 1 on-body pic from Emily to guide me (which I assume is on par for test knitting). Usually before settling on a pattern to knit, I spend hours looking through Ravelry. I like to see other knitters’ modifications and how their finished objects turned out. Emily did have to help me figure out the sleeve details, I felt pretty challenged by them with limited photo references.
I love the reverse-stockinette and garter stitch combo, its so unique. And how about those statement sleeves!? My favorite part of this sweater design is the foldover neckband. The crochet bind off looks so tidy and professional! The yarn I used is Elder from Ritual Dyes, and its so soft that it doesn’t even feel like wool. Its a joy to wear. What can I say besides I love this sweater! One of my best knits ever, for sure.
This super-unique pullover sweater is Niska (rav link) by Bristol Ivy. She released it right before Vogue Knitting Live in January, and I got to try it on (!) at the Wing and A Prayer Farm booth. I made it over the summer, but just recently began to work it into my wardrobe.
I loved knitting this, the cable pattern was super interesting, and the construction was unique and thoughtful. I am a charts-only person, so seeing the written out instructions made my skin crawl, but I just zoomed past it and followed the charts with almost no problems. The only modification I made was adding a folded neckband. This was my first time working with BT Shelter (what?!) and it was delightful. Such nice yarn.
I am finding it challenging to figure out how to wear it. Every time I put it on, I don’t feel quite right. But, I love it and I’m on a mission to figure it out!
Look at this cute beret (Rav link)! I made it over the weekend, and I was so excited about it that we went out for pics before I blocked it. I have been thinking about a beret for a long while now, and when Ritual Dyes featured the Best Beret pattern in their newsletter, I immediately put down everything on my to-do list to make it.
This is the beret I have been dreaming of. I raided my scraps to use see if I had anything suitable, and found some mystery white wool, held it with white mohair, and got started. I really like the construction of this hat, the icord start makes it so easy to get the fit right. Even though I have a tiny head, I ended up making the larger size.
I suspected I was going to run out of white yarn, but just decided to wing it, and I figured I could do a little colorblock-action if I had to. Spoiler alert: I ran out of yarn. I found some leftover gray Zelana Performa from our trip to New Zealand, and I really love how it looks with the white! The natural halo of the possum compliments the mohair so perfectly.
What a cheerful little hat to get through the winter!
I just finished my Christmas sweater with some serious time to spare! I haven’t knit a fingering-weight sweater since the Twigs, which was the biggest beast of a sweater to finish ever. This is Stasis from Leila Raven. I’ve wanted to make it for oh-so-long, and I love how it turned out. I did the same mods as many others by adjusting the post-colorwork rounds for a less-high neck.
I decided to finish the neckline with red and green stripes since I omitted the waist colorwork. I knit the entire first round of each color change to avoid the “icky dots” that normally happen with color striping.
The pattern has you knit the sleeves first, which I really liked because 1. you make progress much more quickly than if you start with the body, and 2. the first sleeve can count as your swatch! I noticed that the colorwork looked sorta bad at the sleeve BOR, so when I got to the yoke, I started the “next” row’s colorwork a stitch or two (if the color change was very close to BOR) before the end of the previous row, rather than the end of the upcoming row so there was less of a noticeable shift. IMO the yoke BOR looks much better than the sleeves. I’m pretty happy with it.
I could not have timed knitting this sweater better for travel, I had juuust joined the sleeves to the body before a work trip to Indonesia. On the trip, I finished the colorwork and yoke so I only had the neck ribbing left to do when I got home. I already am dreaming of another more neutral version of this sweater to wear all year round. It fits perfectly, I love it so much!
It was pretty chilly and windy when we took these pics, so I was pretty ready to put my coat back on by the end of things: