I finished my would-be Rhinebeck sweater (super sad face that this year’s festival is cancelled, but I get it). It’s Kate Davies‘ Weel Riggit. Kate Davies released it in 2019 via her subscription club, so I had to wait a year before I could buy it. This sweater is very, very warm. It was “sorta-cool” today so I decided it would be bearable to throw it on for a few minutes for some pics.
I knew I wanted to knit this sweater with Green Mountain Spinnery yarn. I knit a hat with their yarn last year and loved it. Fast-forward to 2020 Vogue Knitting Live, and I went straight to their booth to see what would work for this sweater. I settled on Lichen, Spruce and Teal Weekend Wool for the colorwork against a backdrop of gray undyed Vermont Organic. The Weekend Wool is much softer than the Organic, so it was quite fortuitous that the pattern uses the colors at the most itch-prone spots of the sweater.
I followed Kate Davies’ pattern to the T, except for the collar bind off. I used the same crocheted bind-off technique that Emily Greene specifies for Tectonic. I love how this finish compliments the raglan CDDs.
Working with 4 colors at once was a big pain. Every few rows I had to untangle all the skeins so I didn’t drive myself nuts with the twisted yarns. I do love the look of the sweater, but WOW was it a lot of work. I understand now why most colorwork is limited to yokes.
We escaped upstate for a long weekend. And, me being me, I made sure we had a few moments to squeeze in a photoshoot of this new skirt/top combo. After quarantining in the city for 3 months, it was amazing to be somewhere else. We went on 2 fire tower hikes and spotted some small snakes (eep!). Upstate New York is glorious in June.
Anyway, here’s the story of these garments. I had some Merchant and Mills linen in my stash since last summer. I wanted to make something special with it, and earmarked it for a dress. Then, I thought of making a summery Fumeterre skirt instead. I hesitated because the thought of matching those stripes seemed overwheliming. After deliberating, I decided to give it a try. I re-created the fabric pattern in Figma, since this fabric has one-way stripes. I decided to focus on matching the angled mitres. I labeled 8 pieces of washi tape with each panel name (left front, left side front, right front, right side front, etc). I worked in groups of two so I could ensure the stripes matched at each mitre. I cut out 1 piece, then took its matching pattern piece, flipped it over, and matched the already cut stripes to it. I stuck the labels on each panel and sewed the angled seam. This labeling and batching system helped me keep everything straight.
The skirt buttons are from Haulin’ Hoof Farm Store. I bought them at Vogue Knitting Live this year (crazy to think about going to an event like that with SO MANY PEOPLE). I was dumb and skipped the interfacing for the placket, and you can tell. I added an “inside button” between the first and second buttons below the waistband to help with gaping. I shortened the skirt by several inches because the length of my first Fumeterre makes it very hard to walk. I am very fond of the midi skirt length.
For the waistband and skirt hem facing, I used some leftover Spectrum Cotton from Purl Soho. I had so little fabric that I pieced the facing, but I can’t tell. I love how the facing and the waistband lining contrast with the linen stripes. The spectrum cotton is pricey but its so nice and soft. I will definitely use it again.
I had very few scraps after cutting the skirt. But, I did have enough to eek this modified Wiksten tank out of the leftovers. I had so little left that I had to cut 2 pieces for the bodice front.
I cropped the tank by several inches and removed almost all the A-line shaping and hem curve. I also added a hand-stitched deep hem facing. There’s something about the armholes/strap drafting of this tank that I don’t love. The back gapes at the neck and the arms don’t lay nicely. The linen stripes are carrying this top, for sure. Overall, though, its a great summer top!
Confession: I totally forgot about Me Made May until May 3. Back in April it was on my mind, but it fell away. So, I recreated my outfits from May 1st and 2nd as laydowns. Because it makes more sense for the scrollback, I’m going to go in total reverse order, so May 1 will be at the end of this post, and May 7 at the top.
A friend sent me some awesome woven fabric she found at an estate sale. She asked if I wanted it, describing it as “Emily fabric.” Spoiler alert: I said yes, and when it arrived last week, I immediately got to work. I thought it would look great as a shirtdress, so I gave the Blaire pattern from Style Arc another go. The first time around I made the shirt version, so this time I wanted to make the dress.
To compliment the elaborate woven fabric, I used some bright blue scraps for the pockets. I think they go together pretty nicely. I drafted a hem facing instead of hemming as the pattern suggests. When I made the shirt version of this pattern, the hem was a nightmare because of the X-TREME curves, so I wanted to come up with an alternate solution. I googled “blaire style arc hem facing” and found a particularly helpful post from someone who accomplished this quite nicely, so with my initial instinct validated, I went for it.
I feel too strange to go outside for pictures right now, so instead here are some COVID-style glamor shots of the details:
Friday night, I cleared off my makeshift work desk to reveal my sewing machine, because I thought sewing would help me relax and feel like things are temporarily “normal.” I’ve had the Kabuki Tee from Paper Theory on my to-make list for a long time, so I decided to give it a go. I decided to use this extremely soft vintage cotton/poly blend from my stash, so I got to cutting.
This is the most comfortable woven top I’ve ever made. The body has great shaping, but still has a boxy look. The fabric certainly adds to its comfort, but the unique arm drafting makes it so easy to move around in.
So, I couldn’t let it go at that, and immediately decided to cut out another version in some eyelet. I spent some serious time figuring out how to arrange the pattern pieces to make the small amount of leftovers I had work. I didn’t have anything that I thought would look nice underneath the eyelet, so I went with silk organza. I hand-basted the organza to the eyelet and used it as an underlining, and used french seams througout. One exception: I bound the armhole seams with bias tape. I decided to blindstitch the armhole and waist hems to make it feel a little more fancy. The organza helps “diffuse” whats happening underneath, and works very well as a modesty layer.
Hey, this wasn’t part of my last post! Ahem… a little something bypassed my sewing queue. What is the point of life if not for unplanned sewing projects? I had a long weekend at home, and the idea for this fabric/dress combo popped into my head. Without any hesitation, I got to work. Sewing with fervor like this, running on fumes of whim and inspiration, is one of my favorite parts of life. For 5 hours straight, I didn’t do anything but work on this dress. I don’t experience that level of focus too often, so it felt great. Luckily, the fabric was ready to use because I pre-washed the fabric ages ago. The bonus to all this is now I have a beautiful Myosotis Dress!
This Blackbird Fabrics viscose has been waiting patiently in my stash for 3 years. The print and dress combo is definitely loud, but I love it. I am not usually on Team Viscose, but I must say it feels delightfully swishy to wear. As you can see, I embraced The Ruffle for this dress. Right now, I’m loving the midi length, but figured if I tire of it I can re-hem to knee length. I don’t have many ruffle-y clothes, we’ll see how they fit in to the rest of my wardrobe.
Except for the ruffles, I used french seams throughout this garment. I should do this more ofte n because french seams look so nice. For the ruffle seams, I used lace tape to hide the raw edges. I haven’t yet, but I’m planning to hand tack them down with a blind stitch.
Unlike my first Myosotis, this version is unlined. I figured that I can wear a slip / undershirt if I want some more layers. Its funny how sometimes I am adamant about lining, but then here I am, not adding a lining and proud. :shrug:
Ages ago in “internet time,” back when I still used Instagram, #WIDN was a popular hashtag for sewers and knitters. WIDN, or “what I’m doing now” is something I’m going to try out here because I miss sharing my in-progress projects. So…. here’s WIDN.
This beauty is coming along, but slowly because of it’s intricate stitch pattern. I love it and the very special Cormo yarn I’m using, but I’m knitting slowwwwly. I think I am on the cusp of memorizing the repeat…. we’ll see.
I’ve had this sweater in my queue since it came out last year. Once it became available as a standalone pattern, it jumped to the top of my queue. I decided to get some Green Mountain Spinnery yarn at Vogue Knitting Live to make my own. I’m trying out the “sleeve as swatch” technique, but I’m not sure how much I like the color combo I chose. I’m going to block the sleeve after I finish and see if I like it.
Jacob needs a new spring/fall jacket. Since he has very long arms, no RTW jacket ever fits him perfectly, so I’ve decide to make him one. I scoured the internet to find a suitable pattern, but nothing seemed right. I finally came across a blog dedicated to sewing all the patterns from a Japanese book of mens’ coats, and decided to bite the bullet and order the book. Spoiler alert: the book is entirely in Japanese. I think I’m up for the challenge, but we’ll see what happens when I tear into the muslin. Jacob has picked out No. 13. I am planning to start tracing and making a muslin this weekend. I am looking forward to fabric shopping for it!