Ages ago in “internet time,” back when I still used Instagram, #WIDN was a popular hashtag for sewers and knitters. WIDN, or “what I’m doing now” is something I’m going to try out here because I miss sharing my in-progress projects. So…. here’s WIDN.
This beauty is coming along, but slowly because of it’s intricate stitch pattern. I love it and the very special Cormo yarn I’m using, but I’m knitting slowwwwly. I think I am on the cusp of memorizing the repeat…. we’ll see.
I’ve had this sweater in my queue since it came out last year. Once it became available as a standalone pattern, it jumped to the top of my queue. I decided to get some Green Mountain Spinnery yarn at Vogue Knitting Live to make my own. I’m trying out the “sleeve as swatch” technique, but I’m not sure how much I like the color combo I chose. I’m going to block the sleeve after I finish and see if I like it.
I’m going to use this yellow calico for the muslin.
Jacob needs a new spring/fall jacket. Since he has very long arms, no RTW jacket ever fits him perfectly, so I’ve decide to make him one. I scoured the internet to find a suitable pattern, but nothing seemed right. I finally came across a blog dedicated to sewing all the patterns from a Japanese book of mens’ coats, and decided to bite the bullet and order the book. Spoiler alert: the book is entirely in Japanese. I think I’m up for the challenge, but we’ll see what happens when I tear into the muslin. Jacob has picked out No. 13. I am planning to start tracing and making a muslin this weekend. I am looking forward to fabric shopping for it!
This task was a unique challenge for me. I had only written instructions and 1 on-body pic from Emily to guide me (which I assume is on par for test knitting). Usually before settling on a pattern to knit, I spend hours looking through Ravelry. I like to see other knitters’ modifications and how their finished objects turned out. Emily did have to help me figure out the sleeve details, I felt pretty challenged by them with limited photo references.
I love the reverse-stockinette and garter stitch combo, its so unique. And how about those statement sleeves!? My favorite part of this sweater design is the foldover neckband. The crochet bind off looks so tidy and professional! The yarn I used is Elder from Ritual Dyes, and its so soft that it doesn’t even feel like wool. Its a joy to wear. What can I say besides I love this sweater! One of my best knits ever, for sure.
Struck by inspiration over the holidays, I sewed a summer sundress! I bought the fabric at a yard sale a few years ago for less than $5. It has that lovely handfeel of an aged poly-cotton blend that I love so much. They don’t make ’em like they used to! The odd thing about this panel print is that the gradient goes weft to weft. Most other panel prints I’ve seen that follow the grainline. So, I did the unthinkable and cut the skirt pieces the wrong way. I did cut the bodice pieces on the grainline though, and this inconsistency is not noticeable at all. This made the hem very easy to sew because the selvedge edge eliminated the need to double-turn!
I went into my stash for buttons, and found some grey ones that look pretty perfect. I didn’t buy anything new to make this dress. Sewing from the stash feels good! This was my first time sewing my own buttons since I got my machine fixed, it was nice to be back in action on that front. Instead of using vilene shields, I staystitched the neckline pieces. The self bias tape helps a lightweight fabric look professional.
I have worn this once in the cold, paired with a turtleneck and a sweater, but it will become a staple in the spring. Happy 2020!!
This super-unique pullover sweater is Niska (rav link) by Bristol Ivy. She released it right before Vogue Knitting Live in January, and I got to try it on (!) at the Wing and A Prayer Farm booth. I made it over the summer, but just recently began to work it into my wardrobe.
I loved knitting this, the cable pattern was super interesting, and the construction was unique and thoughtful. I am a charts-only person, so seeing the written out instructions made my skin crawl, but I just zoomed past it and followed the charts with almost no problems. The only modification I made was adding a folded neckband. This was my first time working with BT Shelter (what?!) and it was delightful. Such nice yarn.
I am finding it challenging to figure out how to wear it. Every time I put it on, I don’t feel quite right. But, I love it and I’m on a mission to figure it out!
Here’s something a little different: A belt bag (or by its pattern name, the Fennel Fanny Pack). I spotted this pattern at Rhinbeck on my friend Kiyomi. It looked so good on her that she inspired me to make my own version. I used a little bit of the Pendleton wool I bought in Portland (and still have enough to make something else!!), and lined it with some yellow linen scraps. I spent around $20 on notions at Pacific Trimming, since I was picky about the zippers and buckle.
I must say the pattern is pretty steep at $14. I appreciated how the DIY pattern pieces saved paper, but I wish I had a visual reference for how to orient the zippers once the pieces were ready to be sewn together. My front zipper doesn’t close at the same side as the main one. I had to seam rip this more times than I’d like to admit, and by the time I realized the front zipper was backwards I was not willing to do more surgery. The pattern does mention that you have to be mindful of the zipper placement, but I think an illustration would help reinforce this.
Finishing the interior seams with such thick fabric was beastly until I remembered that double-wide bias tape is accurately named—switching to it helped things tremendously. Despite my complaints about its construction, I really like this bag. I’m not quite sure I can pull it off, but I am trying!
Bonus: here’s a cute lil’ gif of me unzipping the fanny pack:
Special thanks to Tillamook State Forest for being so pretty!
Up until last week, I had only dreamed of having high-waisted rigid denim jeans. So, after dreaming long enough, I decided to get to work. Some very special vintage Japanese selvedge and a hardware kit from Blackbird Fabrics was patiently waiting in my stash, begging to be made into said dream jeans. So really, no excuses besides my fear of failure.
When I decided I was going to make these, I almost went for the Ginger jeans again, but 1. I wanted a higher rise, and 2. Ginger is designed for stretch denim. Much like Jasika’s commentary on the Dawn Jeans, I was very skeptical when that pattern came out. But after seeing how amazing Jaskia’s and Lauren’s versions turned out, I decided to go for it.
I measured the straight leg pattern pieces against my favorite pair of RTW jeans I own (that are too tight in the thighs but are perfect everywhere else). As I cut out a muslin, I sharpied the original inner thigh cut line and added ample ease so I could easily add room after I sewed the inseam and side seams if needed (and I did need it). I also tapered the straight leg in a bit to match the RTWs, and I like where I ended up.
I only muslined the front and back legs and back yoke. In order to get pants that were try-onable I extended the front pockets to the side seams.
Selvedge coin pocket!! (Thanks for the idea, Jasika!)
I wanted to extend the pockets to become stays, as I hate re-stuffing my pocket bags every time I put on jeans. I copied the Ginger Jeans stay by extending the pocket of the Dawns to sew in the center front seam, but because the directions have you start with the zip fly and I forgot to baste them in prior to constructing said fly, I had to redo it. I also wasn’t paying enough attention when I cut out the pocket bags and cut both on the same side, so I have one pocket that’s right-side in, and one right-side out. I ended up taking out most of the extra room I added to the crotch seam, but I am glad I had extra and was able to take it in (rather than not having enough). Lastly, I had to re cut the waistband with a much more pronounced curve (using THIS very awesome tutorial). The fit is MUCH better now, but they still could come in a little tiny bit more. When I ripped out the first waistband, I also took a small wedge out of the back yoke, since I already was in there ripping out stitches.
I used regular thread throughout this project, as my machine HATES topstitching thread. I found the bar tacks were super easy to just do a very small length zig zag and go back and forth a few times. I am quite happy with how they turned out.
The rivets, man, the rivets. I don’t have a tailor’s awl, so I used a nail to poke holes in the jeans, but the rivet posts were a little bit wider than the nail, so it took some serious wiggling around to get them to poke through. Super worth it, though, I think it makes them look so much more legit.
I am SO HAPPY with how these turned out, I cannot wait for them to develop their unique wear lines. I am gonna try to maximize wear and minimize washing…. we’ll see how I do. They stretched out a bit from wearing them on my trip to Portland, but I think once I give them their first wash, they’ll tighten up a bit. They do fit very snugly when I sit down, so I can’t imagine them being much more fitted when I am standing. The toils of rigid denim I guess!
I was not in the market for more fabric (…groan), but curiosity gets me every time and I always check Blackbird Fabrics’ emails to see whats new. Recently they had some “leopard print” deadstock silk, and I pounced on it.
I’ve had the Sadie Slip Dress on my “to make” list for quite awhile, and this fabric seemed perfect for it. As soon as the fabric arrived I got to work on cutting and sewing up this bad boy. I cut a straight S, but ended up taking in the waist a bit after I sewed the first seam of the french seams. It was a little tricky to cut the pieces on the 45″ wide fabric, I ended up having to shave off an inch or two of the total length.
Closeup of the neckline.
The bias cut is SO swoony, but the neckline facing was very tricky to get right. I completely ripped out and re-understitched twice, thinking I wasn’t careful enough, but every time I tried it on, it wanted to flip out to the front of the neckline. I was unable to get past this flaw, and I decided to blind stitch the facing to the dress. That solved the flipping-out problem beautifully, but now it messes with the bias drape. I might undo some of the hand-stitching and do it yet again… we’ll see how annoyed I get with it. I suppose I could edgestitch the neckline, but I love the look of it without it.
Understitched-only facing:
versus stitched-down facing:
Definitely some trade offs with both options.
Still assessing how to best handle this scenario, but in the meantime, I am wearing it and loving the swish of bias silk on the recent hot summer days.
A few weeks ago I was texting my friend with a very cute newborn baby, and I wondered if she had a summer sun hat. After hearing “not yet,” I immediately started googling for a kid hat pattern. I stumbled across this GREAT free pattern from Oliver + S. I went for the smallest size, and it used barely any fabric.
After I made the first one, I could not get over how cute it was. Just for kicks I measured my tiny head, and could not believe I fit the measurements for the kids Medium. I went into my stash and pulled out some options. I rediscovered this super weird faces quilting cotton I got at the Center For Creative Reuse forever ago. I decided this would be perfect for a test hat. I paired it with a very neutral Essex linen to balance it out. I used smaller seam allowances (1/4″ instead of 1/2″) to add some extra wiggle room. If you had asked me 2 years ago what I thought of bucket hats, I would have told you they are really ugly, but here we are in 2019 and I am loving my hat! Its perfect for keeping the sun off my face and neck.
I ended up making a 3rd hat for another adorable 1-year old I know… watch out, he’s a heartbreaker already!
If you have a normal, adult-sized head, I bet it would be really easy to add some SA to the pattern and make it a bit bigger. I think I am going to make another soon with a wider brim… a one way ticket to floptown!
I made this Myosotis dress back in May using this beautiful silk panel print that has lingered in my stash. My original plan was to make the ruffle-y version, but sadly, I did not have enough fabric. I purchased 2 panels worth of material, but the fabric was barely 40″ wide.
Experimenting with how to make this work. Not the final layout.
Somehow it worked out that I was able to match the prints fairly well between the sleeves, bodice and skirt. I added more fullness to the skirt piece to take advantage of the left and right selvedge edges: no need to finish the side seams! I also thought it would be a way to add more fullness without the ruffle. Spoiler alert: I think the added fullness at the waist isn’t the most flattering thing.
Because the silk is very sheer, and I am a sweaty person, I fully lined the dress with Bemberg rayon (THE BEST!). If I am going to be super-technical, I actually underlined the bodice and finished the seams with bias tape. 🙌for sewing 6 darts once, not twice!!
dress guts
I hand-sewed the collar, sleeves and front facings with silk thread to make it feel special. I love how this detail looks! This print is so unique, and I love how I was able to use the different parts given how little fabric I had. I am especially happy that I found a spare sliver of the purple section to use for the collar.
I LOVE this dress. I am definitely going to make another with the ruffles soon. Based on other people’s reviews, I went down a size and I am happy with that decision. There’s still a lot of positive ease in the bodice and waist so its quite comfortable.
You can’t even see the pocket! Pattern matching FTW!
I’ve made quite a few collared shirts for Jacob over the years from different patterns but none of them fit him perfectly, so I ripped apart a RTW shirt that fits him well to make a pattern from it. I was pretty intimidated by the idea of this, but it wasn’t too hard.
To start, we went to the thrift store to find a short-sleeved shirt that fit well. Next I spent an hour or so seam ripping it while watching TV. I found this strangely meditative, and it went very quickly. I dissected almost everything completely, except one side seam and the center front folded stuff, I ripped those just enough to figure out what was going on there.
Some of the shirt pieces.
I noted the seam allowances and where they were trimmed down. I then traced the pieces and added SA where necessary. I harvested the buttons from the shirt to use on my version.
Scribbles for notes.
At this point in my sewing life, I have sewed several collared shirts so I didn’t need instructions. It was helpful to have the seam-ripped pieces handy to check things, like where to put the pocket. It was SO EASY to lay the RTW left front over my cut one, and figure out the perfect pocket placement. My buttonholer hasn’t worked since the Jean Jacket Saga of 2018, so I took this shirt to Jonathan Embroidery and they sewed the buttonholes perfectly and quickly.
The verdict? Jacob is really happy with the fit of this shirt, so its going to become his go-to short sleeved shirt pattern! He requested a fun fabric so he could participate in “tiki shirt Fridays” at work this summer, and I am in the process of sewing a second one in a more subdued check.
