Hey, this wasn’t part of my last post! Ahem… a little something bypassed my sewing queue. What is the point of life if not for unplanned sewing projects? I had a long weekend at home, and the idea for this fabric/dress combo popped into my head. Without any hesitation, I got to work. Sewing with fervor like this, running on fumes of whim and inspiration, is one of my favorite parts of life. For 5 hours straight, I didn’t do anything but work on this dress. I don’t experience that level of focus too often, so it felt great. Luckily, the fabric was ready to use because I pre-washed the fabric ages ago. The bonus to all this is now I have a beautiful Myosotis Dress!
This Blackbird Fabrics viscose has been waiting patiently in my stash for 3 years. The print and dress combo is definitely loud, but I love it. I am not usually on Team Viscose, but I must say it feels delightfully swishy to wear. As you can see, I embraced The Ruffle for this dress. Right now, I’m loving the midi length, but figured if I tire of it I can re-hem to knee length. I don’t have many ruffle-y clothes, we’ll see how they fit in to the rest of my wardrobe.
Except for the ruffles, I used french seams throughout this garment. I should do this more ofte n because french seams look so nice. For the ruffle seams, I used lace tape to hide the raw edges. I haven’t yet, but I’m planning to hand tack them down with a blind stitch.
Unlike my first Myosotis, this version is unlined. I figured that I can wear a slip / undershirt if I want some more layers. Its funny how sometimes I am adamant about lining, but then here I am, not adding a lining and proud. :shrug:
This task was a unique challenge for me. I had only written instructions and 1 on-body pic from Emily to guide me (which I assume is on par for test knitting). Usually before settling on a pattern to knit, I spend hours looking through Ravelry. I like to see other knitters’ modifications and how their finished objects turned out. Emily did have to help me figure out the sleeve details, I felt pretty challenged by them with limited photo references.
I love the reverse-stockinette and garter stitch combo, its so unique. And how about those statement sleeves!? My favorite part of this sweater design is the foldover neckband. The crochet bind off looks so tidy and professional! The yarn I used is Elder from Ritual Dyes, and its so soft that it doesn’t even feel like wool. Its a joy to wear. What can I say besides I love this sweater! One of my best knits ever, for sure.
Struck by inspiration over the holidays, I sewed a summer sundress! I bought the fabric at a yard sale a few years ago for less than $5. It has that lovely handfeel of an aged poly-cotton blend that I love so much. They don’t make ’em like they used to! The odd thing about this panel print is that the gradient goes weft to weft. Most other panel prints I’ve seen that follow the grainline. So, I did the unthinkable and cut the skirt pieces the wrong way. I did cut the bodice pieces on the grainline though, and this inconsistency is not noticeable at all. This made the hem very easy to sew because the selvedge edge eliminated the need to double-turn!
I went into my stash for buttons, and found some grey ones that look pretty perfect. I didn’t buy anything new to make this dress. Sewing from the stash feels good! This was my first time sewing my own buttons since I got my machine fixed, it was nice to be back in action on that front. Instead of using vilene shields, I staystitched the neckline pieces. The self bias tape helps a lightweight fabric look professional.
I have worn this once in the cold, paired with a turtleneck and a sweater, but it will become a staple in the spring. Happy 2020!!
This super-unique pullover sweater is Niska (rav link) by Bristol Ivy. She released it right before Vogue Knitting Live in January, and I got to try it on (!) at the Wing and A Prayer Farm booth. I made it over the summer, but just recently began to work it into my wardrobe.
I loved knitting this, the cable pattern was super interesting, and the construction was unique and thoughtful. I am a charts-only person, so seeing the written out instructions made my skin crawl, but I just zoomed past it and followed the charts with almost no problems. The only modification I made was adding a folded neckband. This was my first time working with BT Shelter (what?!) and it was delightful. Such nice yarn.
I am finding it challenging to figure out how to wear it. Every time I put it on, I don’t feel quite right. But, I love it and I’m on a mission to figure it out!
Look at this cute beret (Rav link)! I made it over the weekend, and I was so excited about it that we went out for pics before I blocked it. I have been thinking about a beret for a long while now, and when Ritual Dyes featured the Best Beret pattern in their newsletter, I immediately put down everything on my to-do list to make it.
This is the beret I have been dreaming of. I raided my scraps to use see if I had anything suitable, and found some mystery white wool, held it with white mohair, and got started. I really like the construction of this hat, the icord start makes it so easy to get the fit right. Even though I have a tiny head, I ended up making the larger size.
I suspected I was going to run out of white yarn, but just decided to wing it, and I figured I could do a little colorblock-action if I had to. Spoiler alert: I ran out of yarn. I found some leftover gray Zelana Performa from our trip to New Zealand, and I really love how it looks with the white! The natural halo of the possum compliments the mohair so perfectly.
What a cheerful little hat to get through the winter!
Here’s something a little different: A belt bag (or by its pattern name, the Fennel Fanny Pack). I spotted this pattern at Rhinbeck on my friend Kiyomi. It looked so good on her that she inspired me to make my own version. I used a little bit of the Pendleton wool I bought in Portland (and still have enough to make something else!!), and lined it with some yellow linen scraps. I spent around $20 on notions at Pacific Trimming, since I was picky about the zippers and buckle.
I must say the pattern is pretty steep at $14. I appreciated how the DIY pattern pieces saved paper, but I wish I had a visual reference for how to orient the zippers once the pieces were ready to be sewn together. My front zipper doesn’t close at the same side as the main one. I had to seam rip this more times than I’d like to admit, and by the time I realized the front zipper was backwards I was not willing to do more surgery. The pattern does mention that you have to be mindful of the zipper placement, but I think an illustration would help reinforce this.
Finishing the interior seams with such thick fabric was beastly until I remembered that double-wide bias tape is accurately named—switching to it helped things tremendously. Despite my complaints about its construction, I really like this bag. I’m not quite sure I can pull it off, but I am trying!
Bonus: here’s a cute lil’ gif of me unzipping the fanny pack:
I just finished my Christmas sweater with some serious time to spare! I haven’t knit a fingering-weight sweater since the Twigs, which was the biggest beast of a sweater to finish ever. This is Stasis from Leila Raven. I’ve wanted to make it for oh-so-long, and I love how it turned out. I did the same mods as many others by adjusting the post-colorwork rounds for a less-high neck.
I decided to finish the neckline with red and green stripes since I omitted the waist colorwork. I knit the entire first round of each color change to avoid the “icky dots” that normally happen with color striping.
The pattern has you knit the sleeves first, which I really liked because 1. you make progress much more quickly than if you start with the body, and 2. the first sleeve can count as your swatch! I noticed that the colorwork looked sorta bad at the sleeve BOR, so when I got to the yoke, I started the “next” row’s colorwork a stitch or two (if the color change was very close to BOR) before the end of the previous row, rather than the end of the upcoming row so there was less of a noticeable shift. IMO the yoke BOR looks much better than the sleeves. I’m pretty happy with it.
I could not have timed knitting this sweater better for travel, I had juuust joined the sleeves to the body before a work trip to Indonesia. On the trip, I finished the colorwork and yoke so I only had the neck ribbing left to do when I got home. I already am dreaming of another more neutral version of this sweater to wear all year round. It fits perfectly, I love it so much!
It was pretty chilly and windy when we took these pics, so I was pretty ready to put my coat back on by the end of things: