I’ve had this quilt since I was a kid. This blanket is not my most favorite colors, but its not about the looks, its about the feels. Sitting on the couch with this blanket brings me immense comfort and calm. I love snuggling with it. Unfortunately, over the past few years the edges have become very weak and frayed. A few weeks ago, part of the edging got caught on my foot and ripped away, revealing the batting.
This week I decided to repair it. I chatted with my fastidious quilter friend, Lizzie, who is immensely talented in this area. She thought repairing was do-able and suggested the french-fold binding technique. The original quilt didn’t have any binding, and its state shows why a binding is so key to longevity! Its condition is fine everywhere else, but the edges are torn and frayed all the way around.
I needed a fairly wide strip of fabric to create the binding to make the finished repair look as natural as possible. As I was contemplating what fabric to use, I remembered my sad attempt at a 9″ block linen quilt from years ago. I wondered if I could use the cut-but-not-sewn squares to make the binding. Once I dug them out, it felt like fate. The block colors blend wonderfully with the quilt. I got to work and sewed several blocks together to create a long binding. Then, I pinned it to the quilt and machine-hemmed it, and then folded it over to hand sew it to the wrong side. By the way, these two lovely ladies have a fabulous tutorial with tips to hand-stitch the miters down on both right and wrong sides at once.
Now my favorite quilt has a personal touch! I’ve had it on my lap all day, and its been heavenly! By the way, this was from a department store and I am pretty impressed that its hand-quilted. I don’t think you’d find something like this in department stores today! I’m so happy I am able to give it some more life.
Friday night, I cleared off my makeshift work desk to reveal my sewing machine, because I thought sewing would help me relax and feel like things are temporarily “normal.” I’ve had the Kabuki Tee from Paper Theory on my to-make list for a long time, so I decided to give it a go. I decided to use this extremely soft vintage cotton/poly blend from my stash, so I got to cutting.
This is the most comfortable woven top I’ve ever made. The body has great shaping, but still has a boxy look. The fabric certainly adds to its comfort, but the unique arm drafting makes it so easy to move around in.
So, I couldn’t let it go at that, and immediately decided to cut out another version in some eyelet. I spent some serious time figuring out how to arrange the pattern pieces to make the small amount of leftovers I had work. I didn’t have anything that I thought would look nice underneath the eyelet, so I went with silk organza. I hand-basted the organza to the eyelet and used it as an underlining, and used french seams througout. One exception: I bound the armhole seams with bias tape. I decided to blindstitch the armhole and waist hems to make it feel a little more fancy. The organza helps “diffuse” whats happening underneath, and works very well as a modesty layer.
When The Virus hit NYC hard last week, I needed an easy, mindless knitting project to help calm my nerves. Zooming around on Ravelry, I spotted a friend’s beautiful blue hat. Ysolda to the rescue! Musselburgh is a very of-the-moment silhouette, with miles of stockinette at a tiny gauge. Hit it!
I went “shopping” in my stash and found some odds and ends, and started knitting a striped version, but I didn’t like it. A single-color version was much more in line with what I envisioned. The only suitable yarn in my stash was a leftover skein of Manos del Uruguay Fino from my wedding shawl. I wasn’t sure about the color, but got to work! I ended up knitting 17.5″ before decreasing. The last few inches felt like forever, as they do. But a week later, I have a new hat! Not that I needed one, but its really comfy and I think I’ll wear it a lot.
MORE TO COME! I’m now on a mission to finish knitting something that’s already in progress.
I had this post queued up last week and never hit publish. Obviously we are in a crazy, unprecedented time rn and things are murky and unclear. I’m trying to power through and focus on making progress on my knitting and sewing. Anyway, here’s this thing I made two weekends ago…
Last weekend I saw a Making Mag post about how to sew up this little bag. I decided to create my own based on the post’s photos. I included the darts at the bottom, and I think it its a nice touch to help the bag stand up on its own.
A quick, cute lil’ scrap guy! The black and white hemp/wool blend is leftover from an old dress, and the lining is Liberty Tana Lawn from Purl Soho. I love this combo, plus the bright orange zipper pull I made from unraveled baker’s twine.
Hey, this wasn’t part of my last post! Ahem… a little something bypassed my sewing queue. What is the point of life if not for unplanned sewing projects? I had a long weekend at home, and the idea for this fabric/dress combo popped into my head. Without any hesitation, I got to work. Sewing with fervor like this, running on fumes of whim and inspiration, is one of my favorite parts of life. For 5 hours straight, I didn’t do anything but work on this dress. I don’t experience that level of focus too often, so it felt great. Luckily, the fabric was ready to use because I pre-washed the fabric ages ago. The bonus to all this is now I have a beautiful Myosotis Dress!
This Blackbird Fabrics viscose has been waiting patiently in my stash for 3 years. The print and dress combo is definitely loud, but I love it. I am not usually on Team Viscose, but I must say it feels delightfully swishy to wear. As you can see, I embraced The Ruffle for this dress. Right now, I’m loving the midi length, but figured if I tire of it I can re-hem to knee length. I don’t have many ruffle-y clothes, we’ll see how they fit in to the rest of my wardrobe.
Except for the ruffles, I used french seams throughout this garment. I should do this more ofte n because french seams look so nice. For the ruffle seams, I used lace tape to hide the raw edges. I haven’t yet, but I’m planning to hand tack them down with a blind stitch.
Unlike my first Myosotis, this version is unlined. I figured that I can wear a slip / undershirt if I want some more layers. Its funny how sometimes I am adamant about lining, but then here I am, not adding a lining and proud. :shrug:
This task was a unique challenge for me. I had only written instructions and 1 on-body pic from Emily to guide me (which I assume is on par for test knitting). Usually before settling on a pattern to knit, I spend hours looking through Ravelry. I like to see other knitters’ modifications and how their finished objects turned out. Emily did have to help me figure out the sleeve details, I felt pretty challenged by them with limited photo references.
I love the reverse-stockinette and garter stitch combo, its so unique. And how about those statement sleeves!? My favorite part of this sweater design is the foldover neckband. The crochet bind off looks so tidy and professional! The yarn I used is Elder from Ritual Dyes, and its so soft that it doesn’t even feel like wool. Its a joy to wear. What can I say besides I love this sweater! One of my best knits ever, for sure.
Struck by inspiration over the holidays, I sewed a summer sundress! I bought the fabric at a yard sale a few years ago for less than $5. It has that lovely handfeel of an aged poly-cotton blend that I love so much. They don’t make ’em like they used to! The odd thing about this panel print is that the gradient goes weft to weft. Most other panel prints I’ve seen that follow the grainline. So, I did the unthinkable and cut the skirt pieces the wrong way. I did cut the bodice pieces on the grainline though, and this inconsistency is not noticeable at all. This made the hem very easy to sew because the selvedge edge eliminated the need to double-turn!
I went into my stash for buttons, and found some grey ones that look pretty perfect. I didn’t buy anything new to make this dress. Sewing from the stash feels good! This was my first time sewing my own buttons since I got my machine fixed, it was nice to be back in action on that front. Instead of using vilene shields, I staystitched the neckline pieces. The self bias tape helps a lightweight fabric look professional.
I have worn this once in the cold, paired with a turtleneck and a sweater, but it will become a staple in the spring. Happy 2020!!
This super-unique pullover sweater is Niska (rav link) by Bristol Ivy. She released it right before Vogue Knitting Live in January, and I got to try it on (!) at the Wing and A Prayer Farm booth. I made it over the summer, but just recently began to work it into my wardrobe.
I loved knitting this, the cable pattern was super interesting, and the construction was unique and thoughtful. I am a charts-only person, so seeing the written out instructions made my skin crawl, but I just zoomed past it and followed the charts with almost no problems. The only modification I made was adding a folded neckband. This was my first time working with BT Shelter (what?!) and it was delightful. Such nice yarn.
I am finding it challenging to figure out how to wear it. Every time I put it on, I don’t feel quite right. But, I love it and I’m on a mission to figure it out!
Look at this cute beret (Rav link)! I made it over the weekend, and I was so excited about it that we went out for pics before I blocked it. I have been thinking about a beret for a long while now, and when Ritual Dyes featured the Best Beret pattern in their newsletter, I immediately put down everything on my to-do list to make it.
This is the beret I have been dreaming of. I raided my scraps to use see if I had anything suitable, and found some mystery white wool, held it with white mohair, and got started. I really like the construction of this hat, the icord start makes it so easy to get the fit right. Even though I have a tiny head, I ended up making the larger size.
I suspected I was going to run out of white yarn, but just decided to wing it, and I figured I could do a little colorblock-action if I had to. Spoiler alert: I ran out of yarn. I found some leftover gray Zelana Performa from our trip to New Zealand, and I really love how it looks with the white! The natural halo of the possum compliments the mohair so perfectly.
What a cheerful little hat to get through the winter!
Here’s something a little different: A belt bag (or by its pattern name, the Fennel Fanny Pack). I spotted this pattern at Rhinbeck on my friend Kiyomi. It looked so good on her that she inspired me to make my own version. I used a little bit of the Pendleton wool I bought in Portland (and still have enough to make something else!!), and lined it with some yellow linen scraps. I spent around $20 on notions at Pacific Trimming, since I was picky about the zippers and buckle.
I must say the pattern is pretty steep at $14. I appreciated how the DIY pattern pieces saved paper, but I wish I had a visual reference for how to orient the zippers once the pieces were ready to be sewn together. My front zipper doesn’t close at the same side as the main one. I had to seam rip this more times than I’d like to admit, and by the time I realized the front zipper was backwards I was not willing to do more surgery. The pattern does mention that you have to be mindful of the zipper placement, but I think an illustration would help reinforce this.
Finishing the interior seams with such thick fabric was beastly until I remembered that double-wide bias tape is accurately named—switching to it helped things tremendously. Despite my complaints about its construction, I really like this bag. I’m not quite sure I can pull it off, but I am trying!
Bonus: here’s a cute lil’ gif of me unzipping the fanny pack: