Struck by inspiration over the holidays, I sewed a summer sundress! I bought the fabric at a yard sale a few years ago for less than $5. It has that lovely handfeel of an aged poly-cotton blend that I love so much. They don’t make ’em like they used to! The odd thing about this panel print is that the gradient goes weft to weft. Most other panel prints I’ve seen that follow the grainline. So, I did the unthinkable and cut the skirt pieces the wrong way. I did cut the bodice pieces on the grainline though, and this inconsistency is not noticeable at all. This made the hem very easy to sew because the selvedge edge eliminated the need to double-turn!
I went into my stash for buttons, and found some grey ones that look pretty perfect. I didn’t buy anything new to make this dress. Sewing from the stash feels good! This was my first time sewing my own buttons since I got my machine fixed, it was nice to be back in action on that front. Instead of using vilene shields, I staystitched the neckline pieces. The self bias tape helps a lightweight fabric look professional.
I have worn this once in the cold, paired with a turtleneck and a sweater, but it will become a staple in the spring. Happy 2020!!
I was not in the market for more fabric (…groan), but curiosity gets me every time and I always check Blackbird Fabrics’ emails to see whats new. Recently they had some “leopard print” deadstock silk, and I pounced on it.
I’ve had the Sadie Slip Dress on my “to make” list for quite awhile, and this fabric seemed perfect for it. As soon as the fabric arrived I got to work on cutting and sewing up this bad boy. I cut a straight S, but ended up taking in the waist a bit after I sewed the first seam of the french seams. It was a little tricky to cut the pieces on the 45″ wide fabric, I ended up having to shave off an inch or two of the total length.
The bias cut is SO swoony, but the neckline facing was very tricky to get right. I completely ripped out and re-understitched twice, thinking I wasn’t careful enough, but every time I tried it on, it wanted to flip out to the front of the neckline. I was unable to get past this flaw, and I decided to blind stitch the facing to the dress. That solved the flipping-out problem beautifully, but now it messes with the bias drape. I might undo some of the hand-stitching and do it yet again… we’ll see how annoyed I get with it. I suppose I could edgestitch the neckline, but I love the look of it without it.
versus stitched-down facing:
Definitely some trade offs with both options.
Still assessing how to best handle this scenario, but in the meantime, I am wearing it and loving the swish of bias silk on the recent hot summer days.
I whipped up the new Lois Dress from Tessuti. We have a couple of weddings coming up, and I wanted to make a new dress to wear to one of them. Overall, it was fun to sew, especially the neckline seam! I french seamed everything, except for the waistband. I zigged that seam as well as the dart seam allowance, as specified. I cut a 8-6-10, and was very nervous that the seams wouldn’t line up right with all that grading between sizes, but overall I am very happy with it. I had to extend the side darts A LOT, they stuck out exactly where my hips are widest and it looked really bad. So bad that I didn’t think I would ever wear it. But I stopped over to consult with my sewing teacher and she quickly pinned out the darts to extend several more inches down the side, and now its MUCH better. I also had to redo a little bit of the side zip to take in a little bit more of the dart.
One important note: the skirt pieces require 55″ wide fabric. I neglected to realize this until I had cut out the pattern and laid out all the pieces to cut out, and saw the front skirt was extending past the fabric. I slashed the pattern and brought in the a-line to accommodate my 43″ fabric. By the way, this is silk CDC from Mood that I got awhile back. I bought 2 yards, and it was JUST enough. I had barely any scraps left after I cut everything out.
The neckline is very risqué, but I like it! I tried on several bras with it, but none of them are low enough to not show when wearing the dress. If I make this again, I will underline the front bodice to provide a little bit more… coverage?
Overall, I love it, especially the midi length. I wore it to dinner for our anniversary last night, and am planning to wear it to a wedding this weekend!!! Update: Here is a shot from the wedding:
Continuing on with my second item for #SummerofBasics, I made a self-drafted linen gauze tank, heavily inspired by Karen Templer’s version. I made a patch pocket pattern piece and fully intended to use it, but I forgot to sew them on before joining the front + back, and decided to wait until the top came together to see if it felt right to add them. I think the side slits are too “extreme” to logically accommodate pockets, so I left them off.
I traced a woven tank top I liked to create this pattern. I made a quick muslin to make sure I traced accurately, and then I cut into the little bit of linen gauze I had left from my Tessuti visit last year. This material is pretty sheer, but when its 90 degrees outside with almost 100% humidity, such concerns retreat away through the heavy haze of summer.
I cut the back along the selvedge in two pieces so I could remember how pretty it is, with its chambray-esque blue and a stripe of green. I used white single-fold bias tape for the neckline and armholes, and french seamed the shoulder and side seams. I made a mistake and double-folded the side slits to the right side (instead of the wrong side) of the garment, but I actually like it as a design feature, so I left it as-is.
For my #SummerofBasics Number Three, I made a Moss skirt from more of that leftover Essex linen I had in my stash. I thought red would be an unusual color for a skirt, but it turns out that I love it and it doesn’t look unusual at all! I am not sure the essex linen is the best fabric for garments, as it unravels very quickly, but I bound all the seams with bias tape, so hopefully that helps with the skirt’s longevity. I had some berry colored piping and added it to the pockets and I think it adds SO much to the look of the skirt. I used the teeny bit of striped Italian shirting I had left for the waistband and pockets, and I LOVE it so much. Overall, really happy with how this turned out. I do notice that when I wear it, I have to constantly pull at it to make it sit correctly on my hips. I think I made the right size, but I am not sure why this is happening. I might get some true bottom-weight fabric and give it another shot.
I made my 3rd Ruby dress from Tessuti. I LOVE this pattern so much. It is so fast to make and is easy to wear. I had been dreaming this up for a few months, but just didn’t have time to make it until now.
I bought the eyelet from Mood fabrics last year, and when I was checking out, the eyelet bolt happened to lay on top of someone else’s bright mauve (what? just trust me it was a bright mauve) fabric and I loved the pop of color, but regrettably I did not buy it. The idea of eyelet with a bright pop color underneath stuck with me, though.
I ended up using some almost-neon-yellow super soft voile from Firecracker Fabrics and used that to underline this dress. I took a lot of inspiration from the Ruby hack that Tessuti posted awhile ago, especially the back, but instead of binding the armholes, I made a front and back facing using this tutorial. I liked the look of the binding so I kept it for the neckline. I bound the seams (except the center back..) with bias tape, which really helped to neaten the inside of the garment. I had aspirations of hiding the back bodice within the facing, but it would have stuck out of the dress, so I hand-stitched the bodice lining to the center back instead. I had the crochet-covered button in my stash and I think it fits the look of the dress perfectly.
I made another Tokyo Jacket by Tessuti. I like the first one I made, but I used a very floaty silk-cotton, and when I finished it, I knew the jacket would be better served with a more drapey fabric.
Enter Center For Creative Reuse. I picked up this incredible purple silk on a whim, and as soon as I touched it, I knew it was destined to be the Tokyo Jacket. The yardage of the remnant was barely enough, but it was pretty wide, so I laid out the pieces as many ways as I could. It kept barely not fitting. So I took ~3″ out of the length of the sleeves, and had to patch one of the shoulders with a fabric scrap, but it ALL WORKED OUT.
I LOVE IT, can you tell? I omitted the pockets and hemmed with some lace hem tape. I used some scraps of a plum silk chiffon for the neck band. I didn’t know I liked purple so much, it seems to turn up everywhere in things I pick out, as of late.
Special thanks to Jacob for his skillz and being willing to participate in the photoshoot. Also my hair is INSANE in these pics.
I visited Tessuti Fabrics when we were in Sydney a few months back. What a wonderful store! I bought the Alice top pattern while I was there, and have made two so far. It is a really nice, quick pattern. I have not tried a dress version yet. Here is my version in a wonderfully drape-y crepe de chine from Blackbird Fabrics. It was a little fiddly to work with, I think I ended up using a 5/8″ seam allowance for the sleeves instead of 3/8″ to catch all the layers of fabric (understitching changed the sizes pretty considerably).
Very fun and swishy! I think I can dress this up or down. I also finished the sleeve seams and yoke seams with bias tape so nothing would unravel. I added some side slits, although I wish I would have made them even bigger. Just a quick baby hem since the fabric was so slippery.
I also made a Tessuti Tokyo Jacket. I got this very delicate and floaty silk/cotton from The Fabric Store in Aukland. I french seamed everything, and its a bit bulky at the arm pit, as the pattern hinted it would be, but I didn’t want “overlocked (don’t have a serger)” seams hanging out. I omitted the pockets for a more floaty finish. I enjoyed the cuff technique, I was very skeptical at first but when I finished the first one I thought, “HOW CLEVER!”