Dueling Brumbys/Inaris

Here are two Brumby/Inari tee duos I made recently. I don’t have that many high-waisted bottoms, and it has been so hot that I can barely stand any tight clothing right now, but this combo is working pretty well for me. I am looking forward to cooler weather so I can wear the tees with jeans.

First up: Inari tee. Wow, I had no idea how much I would love this. I have a couple of simple tank patterns in my stash already, so I was hesitant to purchase another simple tee pattern, but this is great. I have not really explored the world of CROP TOPS too much, but I think I will be making more of these. The fit is swingy and forgiving, and if I wear high-waisted bottoms, no midriff shows. I remember when shirts got really long so many years ago, and I have been used to that, so this is a very big change for me. From cutting out the PDF to finishing this shirt, I think it took 2.5 hours to make. SO SATISFYING.

Brumby Skirt Notes: I have made 4 of these so far, and I love them all. Its also a quick sew, and I am surprised by how easy it is to wear such a high-waisted skirt. I wear them all the time! Totally recommend this pattern.

colorful wax print inari tee

colorful wax print inari tee

colorful wax print inari tee

brumby_skirt_inari_tee

brumby_skirt_inari_tee

brumby_skirt_inari_tee

The white linen Inari was originally going to be the dress version, but the bottom hem was hanging so weird and I was very disappointed with it, so I cut it to be the tee. The bodice front and back are underlined with a slippery white lining fabric.

This Brumby has Hong Kong finished seams, and I used lace tape to finish the hand-sewed blind hem. I love this skirt. I also finished the waist with rick rack so it pokes out a teeny bit when I tuck a shirt into it. I also made a serious effort to match the plaids. I cut the pocket and waistband on the bias.

brumby_hem_tape_hongkong_seams   rick_rack_brumby

Credits:
Brumby 1: black linen from Joann
Inari 1: wax print cotton from Tissus Regent in Montreal
Brumby 2: madras from a street vendor in Lyon, France
Inari 2: white linen gauze from Tessuti Fabrics in Surrey Hills, Sydney.

Another Archer.

Processed with VSCO with t1 presetI made another archer. What a versatile, well-written pattern. I really like making button ups because its the right mix of technical sewing, but pretty quick to make, and very very satisfying. The finished shirt blends right in with my RTW wardrobe. …Well, this one might not because its very very loud. I was at a loss for what color thread to use, but I think I should have used a darker blue to blend in. Those topstitching lines really stand out, I had to rip things out quite a few times to make sure it looked great. Overall I am very proud of this one.

back view of archer button up shirt
back.
front view of archer button up shirt
messing around with the grass behind me…
closeup of archer button up shirt, wooden buttons
wooden buttons
back view of shirt
Popping the collar to show the polkas

Things to remember for next time:

  • I didn’t pay attention to right vs wrong sides for the left and right front (I cut 2 left fronts with the idea that I’d trim down the 1 for the right front) along with the rest of my pieces with the fabric folded) and ended up having to switch the side that the button band goes on, so it looks a little bit odd.
  • I hemmed the shirt with single-fold bias tape, which is super fast and easy, but I don’t think it looks as professional as a baby hem. I might rip it out and redo it..

 

Details/Credits:

Floral shirting from Blackbird Fabrics. Polka dots were scraps from my stash

Buttons are from All Buttons Great and Small in Enmore, Sydney

Photos by Leah Vautar, who is about to set out on her journey west to CA😦

Summer dreams

I made Stylish Dress Book Dress I with some beautiful Anna Marie Horner Loominious fabric. I made it before we went to NZ as a summer weight, shapeless dress for those super hot days when nothing that is form fitting is bearable to wear. It was lovely for the trip, and now that its 90 degrees out and very very humid at home, it is getting the job done now. I lined the front and back bodice with some of my leftover owl-print voile, and made a contrast neck band with that blue silk that keeps on sneaking its way into projects. I added inseam pockets, although they are too low to comfortably put my hands in them. Oh, well. It is nice how forgiving these Japanese dresses are to make, but it spoils me because each one I make turns into a workhorse of a dress, and I don’t even have to work that hard to make it fit nicely.

Thank you, Anna Salamon for snapping some pics during our picnic today.

stylish_dress-book_i

Stylish Dress Book, dress I from above.

 

stylish_dress_book_dress_i
side shot of the dress. note the saucy pose.
side_view_stylish_Dress_book
accidental stripe matching on point.
stylish_dress_book_dress_i
I used the wrong side of the fabric for the waistband.

Tessuti Patterns love affair.

tessuti_alice_topI visited Tessuti Fabrics when we were in Sydney a few months back. What a wonderful store! I bought the Alice top pattern while I was there, and have made two so far. It is a really nice, quick pattern. I have not tried a dress version yet. Here is my version in a wonderfully drape-y crepe de chine from Blackbird Fabrics. It was a little fiddly to work with, I think I ended up using a 5/8″ seam allowance for the sleeves instead of 3/8″ to catch all the layers of fabric (understitching changed the sizes pretty considerably).

Very fun and swishy! I think I can dress this up or down. I also finished the sleeve seams and yoke seams with bias tape so nothing would unravel. I added some side slits, although I wish I would have made them even bigger. Just a quick baby hem since the fabric was so slippery.

tessuti_alice_top
closeup of the front yoke.
tessuti_alice_top
slighty sheer, delightfully drape-y.
tessuti_alice_top
swingy!

I also made a Tessuti Tokyo Jacket. I got this very delicate and floaty silk/cotton from The Fabric Store in Aukland. I french seamed everything, and its a bit bulky at the arm pit, as the pattern hinted it would be, but I didn’t want “overlocked (don’t have a serger)” seams hanging out. I omitted the pockets for a more floaty finish. I enjoyed the cuff technique, I was very skeptical at first but when I finished the first one I thought, “HOW CLEVER!”

tessuti_tokyo_jacket
tessuti_tokyo_jacket

tessuti_tokyo_jacket

all photos by Leah Vautar.