I’m not a tik-tocker but I am hip to the Coastal Grandma fad. After I made this Olya shirt in Vintage Finish linen from the Fabric store, Jacob’s immediate reaction was “that’s a coastal grandma shirt.” So, it is. But its a white linen collared shirt, and I am confident it will become a keeper.
After my epic seam-finishing fail with my Olya dress,* I thought I would not ever make this pattern again. But, time heals all wounds, and I was inspired to give it another try. Without further ado, photos.
*I used a really expensive Merchant and Mills striped linen to make my first Olya, but the weave is too loose for a structured shirt dress and the seams disintegrated. Someday I will take it apart to reuse the fabric for something else, but the overwhelming disappointment of that dress is too raw to think about now.
I was not in the market for another tank top pattern, but I saw Deer and Doe’s new summer collection and inspiration immediately struck to make the Hysope top.
I impulse-purchased this beautiful jacquard fabric while looking in the denim and twill section at Mood last year. Obviously this busy pattern stood out among the solid denims and canvas. I am not sure why they decided to put it there, but I am so glad they did! Before cutting into this fabric, I made a toile first. I used a silk taffeta-esque remnant from PCCR and got sewing. My machine did not like making button holes with this silky fabric, so I went without. Overall the fit was pretty good, but the length was a little bit too short for me. For my jaquard version, I lengthened the pattern by 2″ and I am very happy with this adjustment. One reviewer of this pattern observed that the side buttons really elevate this garment, which I agree with. Mine are horn buttons from Fringe Supply Co (RIP) from my stash.
This top comes together very quickly, this took less than 3 hours to sew. I see more Hysopes in my future!
I tore through this Toni Cardigan in less than a month! This was my first top-down seamless cardigan. It went very fast and was addictive to knit. I got this beautiful Thelma and Louise from Wing and a Prayer Farm at Rhinebeck last year, and it is so dreamy to knit with. The luster of the wool is really quite nice, which makes sense because this yarn is partly made of Cotswold, a longwool. I alternated skeins throughout to make sure I didn’t have any pooling. For the pockets and the back collar I used some Postcard Shelter scraps.
This sweater uses “The Cocoknits Method” and recommended the Sweater Workshop book as a companion, but I had no trouble figuring this out using the KAL blog posts and videos. At the end, I used tubular bind off with 2 setup rows for the hem and sleeves, and I think it looks really nice! Buttons are from Pacific Trimming, as always they helped me out after I spent many minutes overwhelmed by their enormous selection.
Here’s an itarsia pullover for ya: Judd by Alexis Winslow. This was a test knit that took me much longer than I intended. Today was a balmy 28°, so I utilized this March cold snap to grab photos (thanks Jacob). I used ridiculously soft Flax Down from Purl Soho for this sweater, and the drape is so so nice. I hope it doesn’t pill.
Alexis included a coloring page with her sweater pattern, and I used it to test out many color combinations of Flax Down colors before settling on Grey Fig, Vintage Celadon and Cobalt Blue. I am particularly fond of the solid blue and solid brown sleeve, it gives the sweater a striking look. I ended up swapping the colors on the bottom octagon from sketch to sweater, but you probably already noticed that!
This was my first time with intarsia, and it took a few rows to get the hang of it, but after that it was very straightforward. The Vikkel braid around the neckline and setup rows for tubular bind off turned out beautifully, and make this garment look so professional. Seaming the sides took awhile, but seeing the colors line up perfectly was so satisfying. This was also my first time with a drop-shoulder sweater, and I have to say, its pretty comfy!
Here’s a Big Project for ya. This thing started because I didn’t have a winter coat that easily fit over bulky sweaters. I considered purchasing a coat, but I couldn’t find what I wanted. I was boppin’ through the Tessuti pattern catalog and found the Richmond Coat and thought, wow this is perfect. Many, many hours later, here it is.
I bought some salt and pepper wool coating from Blackbird Fabrics over a year ago, intending to make Jacob a coat (sorry, Jacob… you’ll get a coat soon). It has a super-cool 80s-looking vibe, and as soon as I saw the Richmond coat pattern I knew it was a perfect match. I envisioned a vermillion lining, but this rust color is the closest thing I could find at Mood. I used too-heavy interfacing and the collar is a bit crunchy. I hope it breaks in.
Johnathan Embroidery did a stellar and super-quick job on the buttonholes, and the kind staff at Pacific Trimmings helped me pick out buttons. I sewed the buttons with “backer buttons” on the facing side, I don’t know what they are actually called. They look pretty professional!
After deliberating, I made the second size. My hip measurements suggested I should make the third size, but I didn’t want this oversized coat to be TOO big. It fits perfectly.
The most overwhelming part of making this coat was cutting out the pattern pieces and then manipulating such an unwieldy garment as it came together. The welt pockets were a beast– the first one took me more than 2 hours. I admit they look pretty good, though.
Instead of cutting the back pattern piece on the fold, I added seam allowance and cut it as a pair. As drafted, the back was such a huge piece of fabric, so I thought it could use a little extra structure.
I also added a hanging loop, but I would much prefer to use a hanger as the coat looks particularly upset when it hangs by the loop.
I planned on adding an interior breast pocket, but I couldn’t bear to do another welt pocket, and a patch pocket would have ruined the nice lines of the jacket interior. So this jacket only has 2 handwarmer pockets *shrug*.
Here’s my most recent FO, a second Cline sweater. its pretty rare for me to knit something more than once, but as soon as I finished my first Cline I decided to cast on another. I frogged my Niska sweater because I just didn’t like how it fit, and the Cinnabar Shelter is so so beautiful (and BT RETIRED IT!!!).
i knew i wouldn’t have enough of the Cinnabar to make the whole Cline, so I took a shot in the dark and ordered 2 skeins of BT Shelter in Postcard to make it colorblocked. I am quite happy with how the ratios turned out, it looks exactly as I pictured it in my head. I referenced @beautifulshell‘s lovely version to get a rough idea of where to switch colors.
The NYC Marathon goes right past our apartment, so we used this rare opportunity to take some middle-of-the-street photos before we checked out the race.
I finished one of my most challenging projects (rav link) ever! Its the from PomPom Magazine’s spring 2021 issue, a sweater-vest called Lucky Pieces.
After I decided to knit this, I saw that A Verb for Keeping Warm created a kit for this pattern, utilizing small quantities of their beautiful naturally dyed yarn. How fortuitous!! I had always wanted to try out their yarn, and this seemed like a great pattern for it. I asked if they would be willing to create a “warm colors” version of the kit, and they graciously acquiesced!
This project was my first time doing entrelac. The pattern instructions were rather bare-bones, so it was very challenging to get the hang of how entrelac works. Getting through the initial rows was frustrating, but after checking Ravelry, I discovered other knitters were also having trouble. A few knitters helped me, and I ended up making a diagram to attempt to contribute to the community. PomPom ended up using it in a blog post to augment the pattern’s instructions, so I think it ended up being pretty helpful!
This pattern took me a long time to complete. I had to take a break over the summer because I was so sick of it. The amount of color changes and weaving in ends was frustrating and time-consuming. I want to wear this to Rhinebeck, so I picked it back up last month. I was not sure I would like it, but after completing the edging, I think it looks much better than I was anticipating. I ran out of the yellow-colored yarns at the very end of the back, but I don’t think its noticeable. Instead of creating the ties to finish this, I opted for 2 buttons and i-cord loops. I eye-balled the position of the buttons and the loops, and sewed them on with a backing button for stability.
I’ve been wearing my first pair of Dawn jeans to death, and they have developed some holes! I’ve patched them but I needed a second pair in my rotation (once it cools down, right now i cannot imagine wearing tight jeans in this heat). Inspiration struck and I decided to sew another pair from my stash using some made-in-the-USA Cone Mills denim from Threadbare fabrics.
I didn’t do anything to this denim before sewing it, they are truly RAW. we’ll see if i regret this. I basted the inseam and the side seams, tried them on, and was shocked by how well they fit. when i finished the waistband and belt loops, i put them on and i couldn’t close them. my last pair started out pretty good but stretched out, so i decided to wear them around the apartment for a few hours. after 1 day of wearing them around the house i went to get the buttons installed and i was able to close the jeans! they are still quite tight and are going to take some more breaking in to be comfortable.
after I finished constructing the jeans, I went to Star Snaps NYC to have rivets and buttons installed. I installed the rivets and buttons myself for my last pair, and doing this without the right equipment or access to space where its okay to make hammering noises was really challenging. They did a fab job and I totally recommend their services.
It appears that it is the Summer of Denim, because I made these shorts right after I made a pair of jeans. I haven’t posted about the jeans yet because its been too damn hot to wear them and get some photos. Instead, here are the shorts.
I used the Grainline Maritime shorts pattern, I have made them a few times and I liked the fit. They aren’t high rise, just a regular old medium rise, and there are no belt loops. They were a very quick sew. After I finished the pockets, I happened to see Debbie’s version with bias-finished pocket linings, so I went back in and applied bias tape I had lying around for a prettier interior finish. I like the print mixing result.
Not too much else to say about these, but I am glad I have a pair of JORTS again.
This is the wide-strap maxi dress from Peppermint Magazine. I had considered making it before, but I wasn’t sold on the silhouette or the elasticized back. However, I came across a really beautiful version and decided to give it a go.
This dress is breezy and on-trend. I used a naturally-dyed Khadi cotton from A Verb for Keeping Warm. I had juuust enough fabric, 3 yards, but the fabric is only 38″ wide. I choose size C based on the finished measurements, rather than going off the size guide.
the swish factor is really great, and the finishes are very professional. The stealthy bust dart is doing a lot to make the dress feel more feminine than boxy. I love the pocket details, they’re so easy to stick my hands into. If I make this again, I will interface the bodice facing and straps, I think they could use a bit more structure. I highly recommend this pattern!